a5c7b9f00b In order to save our world from danger, a curious teenage girl with a high interest in science, and a former genius inventor embark on an adventure packed journey filled with evil machines, robots and, a technology paradise known as, "Tomorrowland"!
Bound by a shared destiny, a bright, optimistic teen bursting with scientific curiosity and a former boy-genius inventor jaded by disillusionment embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space that exists in their collective memory as "Tomorrowland."
Tomorrowland is a grand adventure that combines science and fun. That will have you believing in ingenuity and discovery and voting for cooperation with all mankind. At least that&#39;s what they would have you believe. What they attempted to do. But Tomorrowland is not this grand adventure. In fact, it&#39;s something of a snooze fest.<br/><br/>The lead character, played by Britt Robertson, is supposed to be a bright young lady who has it in her to save the world. But throughout the two hour romp through CGI, you never actually get to see this. All you see is a tenacious young woman who talks a good game but never really gets the chance to put her money where her mouth is. George Clooney, her predecessor, is a languid old man who has lost the will to fight and who effectively sucks all of the cinematic tension out of the story. He deflated the importance of their race to survival so much so that you don&#39;t realize when the film is at its climax.<br/><br/>However, the saving grace of this movie is Raffey Cassidy who gives her android character myriad emotions and a complexity that puts her co stars to shame. She alone isn&#39;t afraid to explore the script handed to her and you believe her when she says she believes that they three can save the world.<br/><br/>But the acting wasn&#39;t the only bad thing here. The viewer never really gets to learn about Tommorowland. They tip toe around it the entire time speaking only of Earth and its problems. You wonder why its called Tomorrowland in the first place. The villains are also so two dimensional they you forget to hate them or root for their demise. The bland monotonous way in which they want to destroy the world is so uninspired or wicked that you are confused as to why they want to destroy it. The stupid smiling robots who chase our heroes are also quite asinine and fail to bring the quirk that they were intended for.<br/><br/>I really can&#39;t see this movie being entertaining for anyone. Sorry Brad Bird, this is a failed attempt at an epic adventure. 5/10
As much as I disagree with its message and especially its age rating, this movie is an excellent example of the original purpose of cinema as a message delivery platform.<br/><br/>&quot;Feed the right wolf&quot; is the message of this movie. This is occult Gnosticism - literally a wolf in shepherd&#39;s clothing. Of course there is no such thing as a &quot;right wolf&quot;. A wolf is just a wolf, all of them parasitic predators, wanting only to feed on the flock. Characterizing hope as a wolf is mere sophistry, and makes for a poor fable on which to base a children&#39;s story.<br/><br/>The CG sleight-of-hand is very convincing, but also abusive (children hit by speeding cars, children smashing the skulls of adults, etc), and represents most of this movie&#39;s budget. This is Disney culture at its most manipulative, aggressively and successfully pandering to our innate narcissism - our inner child is kept firmly on the edge of the seat.<br/><br/>The classic rambling monologue of the bad guy is excellent but full of Gnostic doublespeak. His statement that belief in the end of the world (that time itself is limited) somehow makes people lazy rather than motivated, is particularly mysterious. Again, brilliant delivery of a weak message.<br/><br/>The closing scene is plagiarized from the Bible, with clear signs of Gnostic tampering. An Antichrist (Clooney, as the &quot;right wolf&quot;) defeats the Church (the &quot;dark building&quot; which teaches an end of the world) and finally looms over a flock of tiny humans. It is the most believable part of the movie. This stolen shroud of legitimacy is the crux of its successful message delivery.<br/><br/>I gave it a 7 because it objectively succeeds as cinema in delivering its message. Points off only for the message itself, and its age rating. Influence this subtle requires an adult mind to filter.<br/><br/>Indeed, this review took a long time to write and the conclusions it arrived at were surprising. I genuinely felt I liked this movie after watching it, but it seems feelings can be manipulated.
Tomorrowland may be well-made, but whether you're talking about it thematically or dramatically, this is a profoundly mixed bag.
There is a very short scene shown after the credits. See here or here for more info. There was originally an alternate scene planned featuring Samuel L Jackson. For more info see here.
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